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Made in Italy

Marbles

Statuario

Statuario is the purest of the white marbles of the Apuan Alps, quarried in a few sites above Carrara: a luminous white ground, a few sharp grey veins and a grain so fine it became the sculptors' marble. It suits kitchen worktops and islands, bathroom walls and tops, staircases and interior floors; outdoors it is not recommended.

What Statuario marble is

Statuario is a white marble from the Apuan Alps, quarried in a few sites above Carrara, in Tuscany. It owes its name to its use: from Michelangelo onwards, sculptors sought it out for a grain so fine and even that it takes the chisel without flaking. Today it is a worktop, an island, a bathroom wall or a floor, and one of the rarest white marbles in the world.

Characteristics: composition, colour, veining, hardness

Composition. Like every Apuan marble, Statuario is a metamorphic rock of almost pure calcite, with a fine, even, sugar-like grain (what geologists call saccharoidal): this is what gives it a luminosity no other white achieves.

Colour. A full, luminous white that drifts neither towards grey, like Bianco Carrara, nor towards the milky tone of Calacatta, almost free of blemishes and clouding.

Veining. A few grey veins, sharp and decisive, crossing the slab as if drawn with a brush. In Statuario Venato the veins are denser and more pronounced; in Statuario Extra the ground is at its purest.

Hardness. A calcareous marble, and therefore softer than granite or quartzite: a steel object dragged across it can mark it, and acids dull its polish. In return it copes well with moderate heat and, with the sealer renewed, with daily use in the kitchen.

Where to use it in the home

  • Kitchen. Worktops, islands and splashbacks: Statuario lights up the room and holds its own against dark timber, brass and black. A sink carved from the same slab and an upstand carrying the vein up the wall show it off best. See our indoor marble kitchens.
  • Bathroom. Book-matched shower walls, basin tops, baths and basins carved from the solid: in the bathroom Statuario is at its finest, as light and water bring out the white. See our marble bathrooms.
  • Stairs. Treads and risers in Statuario lend gravitas to an entrance hall; we recommend a honed finish and a light bevel. See our marble staircases.
  • Floors. Large slabs or modular sizes, polished or honed, for living rooms and hallways; where there is heavy footfall, honed shows fewer marks. See our marble floors.
  • Outdoors: no. Outside, the fine white of Statuario yellows in the sun, stains in the rain and suffers in frost. For outdoor kitchens we recommend granite, quartzite or sintered stone.

Finishes

The same slab changes voice with the finish, as we show on our finishes page.

  • Polished. Closes the pores, sharpens the contrast of the vein and deepens the white. It asks for more care, because a ring left by lemon shows at once.
  • Honed. Matt, soft as silk, a shade lighter: the most practical finish for kitchen worktops, as it softens rings and light scratches, and the one we recommend most often for Statuario in daily use.
  • Brushed. A gently undulating, satin surface that hides the marks of use; less common on Statuario, but it gives a floor an antique feel.

Thicknesses and Michelessi workmanship

Kitchen and bathroom tops in Statuario are made from slabs of 2 and 3 centimetres. The 2 cm slab is lighter and suits a built-up edge; the 3 cm slab is solid by nature and takes the overhang of a peninsula and the cut-out for a carved sink.

  • Book-matching. Two consecutive slabs from one block, opened like the pages of a book: the grey vein mirrors itself along the joint in a symmetrical butterfly. On an island or a shower wall it is the most theatrical gesture Statuario allows.
  • Waterfall edge. The worktop runs down the side of the island without a break: the vein continues to the floor and the island becomes a monolith of light.
  • Mitred joint at 45°. Two slabs cut diagonally through their thickness, so that the edge shows the polished face on both sides and the joint all but disappears: this is how a 2 cm top presents a 6 or 10 cm front, and how a waterfall edge is built.

Every detail begins in the three-dimensional design, as we explain on our workmanship page: you see the slab cut before the saw touches the marble.

Rarity and choosing the slab

Statuario comes from very few quarries, in limited quantities: among the Apuan whites it is the rarest and the most variable. Under the same trade name you will find purer or less pure grounds and denser or sparser veins, depending on bench and year of extraction: you do not buy a name, you buy a slab. In Aprilia, Statuario slabs are chosen one by one, in person or by video call, for the purity of the ground, the direction of the vein against the design and the absence of fissures that cutting might open. For book-matching, consecutive numbered slabs are bought together. The method is in our guide to choosing marble for your kitchen.

Care and maintenance

Statuario is a fine-grained white: it shows stains more readily than other marbles and asks for a few habits.

  • Daily cleaning with a soft cloth, warm water and a few drops of neutral soap; rinse and dry.
  • Wipe up lemon, vinegar, wine, tomato and fizzy drinks at once: acids do not stain, they etch, leaving a dull ring only re-polishing removes.
  • No limescale removers, bleach or abrasive sponges; always a chopping board and trivet.
  • Sealer renewed once a year: it slows the absorption of oil, wine and coffee. Our worktops leave the workshop already sealed.
  • For an absorbed stain, a poultice of bicarbonate of soda and water, covered for a day; a worn polish is restored in the workshop.

Every remedy is in our guide to marble worktop care and maintenance.

Statuario or Calacatta? Statuario or Bianco Carrara?

The three great Apuan whites look alike from afar and part company up close. Calacatta has a milkier ground and broad veins, grey or gold: the marble of islands that want to be looked at. Bianco Carrara has a cooler white and fine, diffuse veining: the most widely available and the most balanced in cost. Statuario has a purer ground than either, a few decisive veins, and is the rarest of the three.

MarbleGroundVeiningRarityWhere it performs best
Statuarioluminous white, almost unblemisheda few sharp grey veinshighluminous islands and worktops, bathroom walls, baths carved from the solid
Calacattawarm, milky whitebroad veins, grey or goldhighdramatic islands, book-matching, splashbacks
Bianco Carraracool white-greyfine and diffusemediumwhole kitchens, bathrooms, floors

Pure light: Statuario. Pattern: Calacatta. Balance and availability: Carrara. All three are in our marble catalogue and our glossary.

How Michelessi works

Since 1976 our workshop in Aprilia, on the Via Pontina between Rome and Latina, has worked the Apuan marbles the same way: slabs chosen one by one, a three-dimensional design, numerically controlled cutting and hand finishing of edges, sinks and curved pieces. Installation is by our own team, in Italy and abroad, as in Dubai. Site survey and quotation are free in Rome, Latina and throughout Lazio; elsewhere we work from a measured survey and video calls, and deliver and install wherever you are. Write to us from our contact page with your worktop measurements or a bathroom plan, and we will tell you whether Statuario is the right stone for you.

Frequently asked questions

Frequently asked questions

Is Statuario suitable for a kitchen worktop?

Yes, provided you accept the care every white marble asks for: a honed or polished finish, sealer renewed once a year, acids wiped up at once, a chopping board and a trivet. In return you have the most luminous worktop natural stone can offer, in 2 or 3 cm slabs with the sink and upstand cut from the same slab.

Can Statuario be used outdoors?

No. In the open air its fine-grained white yellows in the sun, stains in the rain and suffers in frost. For outdoor kitchens we recommend granite, quartzite or sintered stone; Statuario remains an interior marble.

What is the difference between Statuario and Calacatta?

The ground and the vein. Statuario has a purer white and a few sharp grey veins; Calacatta has a milkier ground and broad, more dramatic veins in grey or gold. Both are rare marbles of the Apuan Alps: Statuario is the choice of those who want light, Calacatta of those who want pattern.

How do you choose a Statuario slab?

By looking at it, not by reading its name: the same trade name covers grounds that are more or less pure and veins that are more or less dense. In our Aprilia workshop we choose slabs one by one, in person or by video call, checking the purity of the ground, the direction of the vein in relation to the design and the absence of fissures; for book-matching, consecutive numbered slabs are required.

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